Benedicite Window

 

Meditation

Read in the Apocrypha "The Song of the Three Young Men". Meditate on Canticles 1 & 2 found on pages 47-49 in the Prayer Book. Let nothing but praise and thanksgiving be in your mind and heart as you are consumed by the beauty of these words in conjunction with that of the window.

History

Dedicated on February 11, 1968, the window was a gift of Mr. and Mrs. J. Norman Tilley in memory of his parents, Fred W. and Marie. It was inspired by the canticle Benedict Omnia Opera Domini: ("0 all ye works of the Lord, bless ye the Lord") found in the prayer book on pages 47 to 49. Taken from "The Song of the Three Children" in the Apocrypha, it purports to be the song sung by Shadrach, Meshach and Abednego, the three young men cast into the burning furnace by the King of Babylon for failing to bow down and worship the golden image. As a symbol of a man's ability to perceive and praise God from the midst of the most terrible adversity, and. furthermore, of the power of such faith to preserve man. the canticle is unexcelled. It is an invitation to all to see the one truth underlying all creation and all history, the truth we call God. In the center is Christ the King and the words "Praise and magnify Him forever." At his head are the words "Let us bless the Father, the Son and the Holy Ghost." Adam and Eve are on either side, and the Greek letters for Alpha and Omega are above Christ. At the very top is the open Hand of God. Flying birds, fish of the sea, planets, royal headdresses, winter, summer, animals, mountains, and people from many walks of life are illustrated. In a letter written in preparation for this window by Roddey Reid, then rector, to J. Norman Tilley, Reid states: "The central message of both the Old and New Testament is that something does 'stand' in the midst of chaos and indeed overcomes chaos. I would very much like to see this theme of creation, light, order, etc. to be the theme of our new window. It would represent the continuing conflict between light and darkness, and the agony of what it means to be the 'Light of the World'. I would hope that anyone who would look at a such a window would feel caught up to such a message and might ask himself "Where do I stand? Am I in the light or am I in the darkness?"